How Do I Know Hasselblad Lens Needs Repair
Hasselblad SWC Review (Best Broad Angle Lens?) + YouTube Video
Similar me are y'all looking for the best broad angle lens film camera? Have y'all heard of a Hasselblad SWC? It goes wider than the Mamiya 7! (38mm vs 43mm!)
Later buying a wide angle Hasselblad SWC-M film photographic camera I list ix points including a Hasselblad SWC vs 500CM comparison, use for Fashion Portraits and a detailed review of the SWC Focus Screen
- SWC – Zeiss Biogon 38mm f4.5 lens
- SWC – Commencement Thoughts + Why Some other New MF Camera!
- SWC – Nuptials Photography
- SWC – Street Photography
- SWC – Travel Photography
- SWC – Portraits / Fashion Photography
- SWC – Modular Camera (Specifically Film Backs)
- SWC – Focusing Screen Adapter 41025 SWC/G
- SWC vs Leica Cameras
The Hasselblad SWC (Super Wide Photographic camera) family of cameras had a production life span from 1954-2009. From researching online my particular camera model, a Hasselblad SWC/M with CF lens fastened and a spirit level built into both the camera torso and the newer style view finder seems to be dated from effectually 1982-1988.
1. Hasselblad SWC + Zeiss Biogon 38mm lens
A Hasselblad SWC/M comes with a Zeiss Biogon 38mm f4.5 CF lens attached. Unlike the more than common Hasselblad 500 serial / 5-series camera models the lens on the SWC cameras does non detach. The SWC is a camera designed and built around the very well-regarded Zeiss Biogon 38mm lens. It is not like a normal 500 series Hasselblad camera (as I recall of them) as it has no mirror/ ground glass / waist level view finder setup you lot ordinarily find at the heart of every Hasselblad. Instead information technology just has an external viewfinder to help basic composition. To focus the SWC camera I demand to use hyperfocal distance (like I would on a Leica rangefinder camera for street photography) and punch in a preferred focus distance on the Biogon lens (such as two meters) and then roughly gauge by eye this distance from the camera to the subject. Every bit the photographic camera is a wide-bending camera there is greater depth of field (DOF) than on say a long lens (specially once the SWC lens is stopped down). The 38mm Biogon lens is roughly equivalent to 21mm on a 35mm camera sensor so gives a pretty wide field of view compared to the standard 80mm Zeiss kit lens on a Hasselblad 500CM Classic which is equivalent to 50mm in 35mm camera terms.
2. Hasselblad SWC – First Thoughts
My first thoughts when collecting the Hasselblad SWC/M were small, compact and lightweight compared to the Hasselblad 500CM + telephoto lens(es) I had been using prior to picking upward the camera. The SWC has a very solid and audible clunk when you release the shutter. Much more than so than my 500CM and 501C and much for fluid movement but then it is a newer camera so maybe to be expected. The SWC finder view is big and bright but also very distorted then it is difficult to retain a mind-prepare that the photos volition non also look distorted. The spirit level congenital into the SWC finder is a very nice touch as you can see if an prototype horizon is level without taking your center from the finder. Well done Hasselblad. The CF Zeiss Biogon 38mm lens looks very similar to all my other Zeiss CF lenses and is solid and seemingly well-built.
2b. ..and Why Did I Buy Another MF Moving-picture show Photographic camera!?
I wanted a medium format movie camera which offered wide angle. The Hasselblad 501C half-dozen×vi photographic camera continues to be perhaps my favourite photographic camera to operate. I love the photos information technology takes but I use it with a prism viewfinder so it's not as meaty as it could be. I take smaller medium format cameras already, the Fuji GF670, Fuji GS645 and Fuji GA645. All great cameras and with the amazing Fujion lenses simply the fixed lenses hateful they don't offer wide angle. I have aMamiya 645 Super that is slightly larger than the Fuji cameras but smaller and lighter than the Hasselblad 500CM. The widest lens I have for it is 55mm but the lens need a service so is out of activity. I bought aMamiya half-dozen and later most bought aMamiya seven camera (for the famous 43mm wide lens!) but instead got the 35mm Hasselblad Xpan. Then subsequently all this I still wanted a wider angle medium format camera! I admire the Hasselblad 500 cameras so the Hasselblad SWC/M just seemed an obvious selection! (I looked again at the Mamiya 7 camera that has a 43mm lens available but I thought if i'm going to become wide I might aswell exercise it properly and get a 38mm lens!).
3. Hasselblad Wedding ceremony Photography
When I practice Leica wedding photography with my digital Leica M240 camera ane of my most used lenses is the Zeiss ZM Biogon 21mm f2.8 lens. I have a 28mm Leica Elmarit-M f2.8 lens but found the 28mm focal length not quite wide plenty in situation with lots of people and/ or confined spaces. The 21mm ZM Biogon is corking for bridal prep shots with multiple bridesmaids in a small room or during a wedding ceremony ceremony to capture the bride and groom and some of the guests in the background. For previous analogue film weddings I establish the standard lenses on many of my medium format film cameras too narrow to capture everything. For a Hasselblad wedding I take the Zeiss Distagon 50mm f4 which is the same as 28mm just nix wider. Quondam it is merely squeamish to take a super wide lens to photograph a whole room such every bit the inside of a church building. A wider lens as well has a great depth in focus so for moving people photos taken in a aboveboard street photography / documentary wedding photography mode it is easier to nail focus with a wider lens than with a telephoto lens (when using manual focus). This was 1 reason/ 'excuse' to buy a Hasselblad SWC/K.
iv. Hasselblad SWC for Street Photography
Leica cameras are popular street photography cameras when focused using hyperfocal distance. As mentioned briefly above it ways I set up a desired distance and aperture on the lens and this gives me a sure range in focus (say everything between 1-3 meters). Once ready it basically makes a Leica photographic camera a total frame 35mm point at shoot camera (if you proceed your subjects within the area in focus from the camera (Ie. if something is 4m away I need to walk closer before taking the photo or motility the distance on the lens to further abroad earlier taking my shot). The same methodology tin be applied to the Hasselblad SWC photographic camera, setting an aperture and focus altitude on the 38mm Biogon lens. As the 38mm is equivalent to 21mm in 35mm terms information technology gives quite a deep depth in focus. (Telephoto lenses have a much shorter distance in focus at any discontinuity). The SWC photographic camera can them go a six×6 medium format point and shoot photographic camera for street photography, weddings or otherwise. The biggest restriction in the United kingdom is sufficient light so the SWC is more suited to bright conditions or high ISO film stock than depression light photography for this technique.
5. Hasselblad SWC for Travel Photography
One large selling point of the Hasselblad SWC for me is the compact size and relatively low weight. The Hassy SWC/One thousand weighs nether i.4kg (with camera, finder and film back attached) and in comparison a Hasselblad 500CM photographic camera + 80mm kit lens + flick back weights closer to i.6kg (but for the lenses I apply the Zeiss Sonnar 180mm f4 CF lens alone weighs 1.1kg!) For my overseas model photography photoshoots I tend to accept with me the smallest cameras that provide sufficiently loftier image quality (and are fun to apply and reliable). It could be argued that my Mamiya 6 and Fuji GF670 are more suited equally medium format travel cameras but I much prefer the rendering of Hasselblad lenses to the Mamiya drinking glass and I detect the GF670 fragile (currently awaits repair) and not exciting to utilize (even if information technology is a very capable photographic camera).
6. Hasselblad SWC Portraits / Fashion Photography
Another reason to buy the camera was to take Hasselblad SWC portraits and use it for my Hasselblad fashion photography. I love the Hasselblad telephoto lenses such equally the Zeiss Sonnar 180mm f4 lens and Zeiss Macro-Planar 120mm f4 lens for portraits but to photo clothes full length a wider lens is frequently easier. The Hassy SWC 38mm Biogon lens could be deemed as well broad but many manner photographers have used wide lenses in the past to give their fashion photos a different look. I think I may use the SWC camera more for hymeneals photography but I hope I can likewise apply it for some of my model photography to add some variety to my piece of work. For environment portraits a wider lens is besides very beneficial as it helps to capture both the model and their environment.
I accept photographed models many times in Budapest for example and taken Hasselblad headshot / half body portraits yet the surrounding location detail exterior the field of view might take added additional interest to the images if included. I think of all the locations I take done model photography the metropolis that screams "utilise a wide lens" the near is without uncertainty New York city. I need to go back soon! On a previous visit to NYC I used my 35mm Hasselblad XPan camera for a wider view only constitute I usually prefer 6×6 format to panoramic for my model/ fashion portraits. Using both the broad-angle Hasselblad SWC/M photographic camera and a standard Hasselblad 501C /500CM torso side by side gives me the all-time of both, with the selection for wider Hasselblad SWC portraits / wide angle fashion expect photos and too shallow depth isolated headshots and portraits with a longer telephoto lens on a Hasselblad 500CM body. When using two Hasselblad bodies I likewise have the advantage of the Hasselblad V system being modular. (See more beneath).
7. Hasselblad Modular Cameras (Specifically Movie Backs)
One huge reward of investing into the Hasselblad 500 series (V-series) cameras (including the SWC camera) is the cameras are modular in their pattern. This means I can unclip a standard Hasselblad A12 picture back (or any other film back) from whatever Hasselblad 500 camera and utilise it on my new Hassy SWC/Thou. Having multiple film backs to use can exist actually valuable during a Hasselblad hymeneals for example. If I was using a Mamiya 6 photographic camera for group photos and finished my roll of flick mid-session I would demand to halt proceedings, rewind the film and reload with fresh film to continue. When using a Hasselblad I carry multiple pre-loaded film backs and equally shortly as movie finishes in one back I tin chop-chop unclip and attach a 2d back with film loaded ready to go. Another reward of multiple film backs is I can load one back with colour picture and one back with black and white motion-picture show. For Hasselblad fashion photography (or film weddings) or any client shoot I can shoot a mix of colour and black and white motion picture and swap the backs between cameras. For example shoot a wide scene in B&Westward on the Hasselblad SWC then have the dorsum from the Hasselblad 500CM (loaded with colour film) to capture a colourful confetti grouping photo straight after. The 500CM can then capture some B&Westward wedding portraits on a long lens and so on. I would travel with at to the lowest degree ii film backs for model photography trips and if possible deport 2 Hasselblad bodies too, the SWC/G and a 500CM or 501C.
8. Hasselblad Focusing Screen Adapter 41025 SWC/G
An obvious disadvantage of the Hasselblad SWC/G is the fact that the viewfinder does non allow for critical focusing. Possibly it is because I have used Leica rangefinder cameras intensively for a prolonged flow but for much of my photography I like to line up direct lines (horizontal and vertical) in a scene with my frame lines in the viewfinder. For example at a church building wedding I would centre the viewfinder to the church aisle to capture equal detail on both sides and ensure information technology is aligned to the straight edges of the walls. With the Hasselblad SWC the finder view it is merely a rough guide of limerick. I would detest to have to crop every SWC photo after scanning to straighten and centre each movie. Luckily there is another option
There is a Hasselblad Focusing Screen Adapter 41025 for SWC (SWC/Chiliad) cameras which basically makes the SWC into a mini four×5 camera/ large format camera. On my large format cameras like the SpeedGraphic and Sinar F2 I compose an image upside down on the ground glass on the back of the camera and and then critically focus using a magnifying loop. The Hasselblad focusing screen adapter is basically a ground glass every bit yous would use on the meridian of a Hasselblad 500CM but on the back of the photographic camera. The SWC has no mirror so a photo is composed past merely looking through the lens at the image displayed on the glass. On a big format camera in vivid conditions I put a jacket over my head and the back of the camera to block lite glare. Luckily the clever engineers at Hasselblad have a much neater design. The focus screen adapter accepts any Hasselblad 500 viewfinder such as the pop up waist level viewfinder (WLF), a 45 degree prism finder or a chimney finder as examples. To critically compose the Hasselblad SWC I just unclip the A12 film back, prune on the focus screen adapter (with WTF or prism already fastened), compose (with photographic camera on a tripod for example), unclip the adapter, reattached the picture show back and have the photo. This process is non for every photo equally takes more time than quickly estimating a composing and focus with the standard SWC finder on the superlative of the photographic camera just it is a prissy pick to have for when I have more than time (and it volition be more rewarding to get the planned composition rather than cropping something in/ out of frame that was non desired.
nine. Hasselblad vs Leica Cameras
I similar and employ Leica cameras every bit they are well-congenital, enjoyable to operate and have peachy lenses that capture precipitous pleasing images. To go 'improve' than what Leica film cameras could give me I had to expect at larger film formats. I take tried and apply various highly regarded medium format film cameras but information technology is Hasselblad cameras which I seem to savour and appreciate the virtually. Hasselblad 500 system cameras are of a similar build quality to Leicas and with equality practiced optics made by Carl Zeiss. I accept enjoyed using Hasselblad 501C and Hasselblad 500CM cameras and this gave me the confidence to buy the Hasselblad SWC/M. The SWC/Thousand is more Leica like beingness more compact and operated more similar a Leica rangefinder (in terms of composing via the external finder) and I would argue for my item SWC/Thou model the film accelerate lever and shutter release audio and feel fifty-fifty better than information technology's 501C/500CM siblings. Like a Leica M3 and the Hasselblad 501C / 500CM, the Hasselblad SWC/M is 100% transmission and has no batteries or electronics. I love the simplicity of manual cameras without batteries and the knowledge that they cannot develop electrical faults in the time to come that may not be able to be repaired. I savour using my Mamiya RZ67 Pro 2 camera simply I ofttimes have battery related issues that I don't get with a 500CM. I have some nice Fuji 645 format film cameras but the GA645 specifically relies heavily on electronics and 1 of mine seems to have sadly developed a terminal electronic mistake. At to the lowest degree transmission Hasselblad and Leica cameras are in theory more likely to keep going into the future even if they need a CLA (make clean, lube, aligning) every and so ofttimes.
Hasselblad SWC – Specifications
As with many of the cameras I own and take talked near on this weblog, Ken Rockwell has as well reviewed the photographic camera and kindly details all the specifics of the Hasselblad SWC on his site. Rather than me repeat the same camera facts please see a link below to Ken Rockwell's SWC review
Hasselblad Resale Value
1 proficient matter about investing in older Hasselblad film cameras is they seem to hold their value quite well (and fifty-fifty appear to increasing in value/cost over the last 12 months or and then). If I detect the Hasselblad SWC/One thousand camera isn't really for me at least I can say I tried it. I would never have discovered my honey for Leica and Hasselblad cameras if I didn't take the hazard and move away from the photographic camera(s) I used at the time. I never know, the SWC/One thousand might go my new most used most loved film camera! Either mode I will enjoy finding out!
YouTube: Hasselblad SWC vs Hasselblad 501C
Source: https://mrleica.com/hasselblad-swc-review/
Posted by: garzashoutheasken.blogspot.com
0 Response to "How Do I Know Hasselblad Lens Needs Repair"
Post a Comment